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n°11
…1956 – the word crisis regularly appears in the lexicon of the critic and the theoretician as a justification of a state of disorientation and “loss of the center.”
[1] On the image of “creative destruction” as the essential strategy of modernity, where the present is created by/on the negation of the past, see the “angel of history” in the lithography by Paul Klee, Angelus novus and the commentary by Walter Benjamin in his “Geschichtsphilosophische Thesen und Briefe” in Schriften, Suhrkamp, 1955 (English translation by Harry Zohn, “On the Concept of History” in Illuminations and re-published in 2003 by…
n°27 The Twenty-First-Century Polis
…conversation has crystalized the rise of alternative models of participation and, at the same time, has testified the latent capability of architecture to provide a framework for action. The Egg becomes an amplifier: its interiors absorb and reverberate the need for new demands—either spatial and political.
The Mirror-City.
Alexandre Kazerouni
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Of all the cities that have managed to position their names within the most heavily mediatized representations of the process of globalization underway since the end of the cold war, Abu Dhabi’s narrative is one of the most unexpected. Bucking the already venerable…
n°29 The European Dream
…of new neighborhoods extends into the infinity of the desert and up to the mountain tops that shape the 2,672 km2 of the Peruvian capital. Without articulating this to themselves, local inhabitants use the street for domestic purposes, without hindering traffic on nearby avenues. In the absence of governmental organization, society takes over, spontaneously creating meaningful environments on any street corner. Relatively speaking, a comparison between these dynamics of Lima and certain outlying districts of Paris or Barcelona reveals unsuspected similarities, paving the way for the recognition of those so-called “difficult” neighborhoods. It would seem, then, that the future will…
n°22 Beauty and Ugliness
…This is not a question of celebrating complacent confusions but rather of allowing the emergence of a zone of indeterminacy that will impart a political stamp to the choice of forms and the use of words. In the freedom of the body’s movement, through the joy experienced in the presence of forms of whatever nature, one can legitimize a return to the language of beauty and ugliness.
Can the Useful be Sublime? – The Powers of Architecture and “The Minute of the Sublime”
Baldine Saint Girons
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Even in 1746 Charles Batteux still refused…
n°15
…d’architecture, Paris, November 28 2009. [2] Paola Viganò, Il progetto come produttore di conoscenza, Roma, Officina, 2010. [3] I say “once again” because the urban question has arisen several times during the course of European history. In the eighteenth century it took the form of a polemic against luxury (Fenelon), and the place where capitalist accumulation first appeared; in the mid-nineteenth century it was focused on the housing problem (Engels), and the shift from handwork to the factory; in the late nineteenth century it centered on the “Grossstadt,” the emergence of the “crowd” and of mass society (Tarde, Le Bon,…
n°26 Knowledge, critical condition
…reading that calls for further study, particularly on the “illusions” of the plan, strangely reminiscent of those denounced by Le Corbusier’s Towards a New Architecture a century ago. Jean-Pierre Chupin studies one of the twentieth century’s great thinkers, Colin Rowe, before the turn of the 1970s made architectural theory the field of application of concepts imported from philosophy. All forms of knowledge imply methods: in architecture, comparative studies are one such, which the author of Mathematics of the Ideal Villa drew on in a close-knit combination of history and the theory of architectural form. While comparative studies may be a…
n°23 Dealing with the Market
…credit built up over centuries, the history of the profession offers a wealth of information on the development of the relationship between architectural practitioners and project managers. Robert Carvais looks back at the genealogy of the long-drawn-out “construction of confidence” earned by project managers on the basis of their knowledge and skills. These are now being thrown into upheaval by the digital revolution: Antoine Picon focuses on the future of architectural copyright and the concept of paternity in architectural design more broadly in the current context of technological and social change.
The notion of Bigness developed by Rem Koolhaas…
n°25 Architecture in Representations
…visually projecting his social image. However, the patron’s vision had to pass through the work of the architect. The exchange of ideas between them regarding the image they had of the house was founded on three types of graphical representation (ichnography, orthography, scenography) and on considerations given to perspective and viewpoints. In the country, over and above the structure of the building, the villa was considered within another sphere of representation, that of its environment, an aspect the Romans were particularly aware of. This paradigm strongly affected the way in which they inhabited their houses, and gave rise to a…
n°24 Public Space
…This word has the opposite origin from that of our “public”, which comes from the Latin populus, people. In the Japanese tradition on the contrary, the people is referred to as watakushi私, the private sphere. During the feudal regime, which governed the archipelago from the end of the ancient State (12th century) until the Meiji Restoration (1868), ooyake designated the sovereign’s domain and watakushi that of the vassal. It had nothing to do with the notion of res publica. In other words, introducing the western notion of “public” was no easy task.
Searching for the City’s “Natural Site”
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Editorial team
…art, Picon is best known for his work in the history of architectural technologies from the eighteenth century to the present. His French Architects and Engineers in the Age of Enlightenmenthttp://www.gsd.harvard.edu/people/faculty/picon/pub.html#french (1988; English translation, 1992) is a synthetic study of the disciplinary “deep structures” of architecture, garden design, and engineering in the eighteenth century. In addition to six other books, Claude Perrault(1613-1688) ou la curiosité d’un classique (1988), L’Invention de L’ingénieur moderne, L’Ecole des Ponts et Chaussées 1747-1851 http://www.gsd.harvard.edu/people/faculty/picon/pub.html#invention (1992), La ville territoire des cyborgshttp://www.gsd.harvard.edu/people/faculty/picon/pub.html#cyborg (1998), and Les Saint-Simoniens: Raison, Imaginaire, et Utopiehttp://www.gsd.harvard.edu/people/faculty/picon/pub.html#stsimonien (2002), Tra utopia e ruggine, Paesaggi dell’ingegneria…